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Before Rome Memorial

A few days before our departure to Rome, we are continuing our research on the Jewish ghetto in the Italian capital . The few traces that remain of this event, including the raid on October 16, 1943, are inaccessible. However, on the link below, you will find many testimonies of Jews who lived in ghettos before being transported to concentration camps.

site of the United States Holocaust Memorial Museum:

http://www.ushmm.org/wlc/idcard.php?lang=fr&ModuleId=416

http:// www.ushmm.org/wlc/idcard.php?lang=fr&ModuleId=404
http://www.ushmm.org/wlc/idcard.php?lang=fr&ModuleId=308


In Moreover, it seems that the Italian population was not highly sensitized to these events as could be the German people. Many reasons can explain this, including the fact that Jews were deported by the Nazi troops in front of the Vatican.

The arts in general in Italy therefore evoke little something akin to a collective memory hole. However, below you will find an excerpt from the film GENTE DI ROMA directed by Ettore Scola, who says about this scene:

" This episode happened while I was shooting the short film where 1943-1997 seen early in the raid for arrest all the Jews of the ghetto of Rome. While they turned an old lady fainted. Obviously, we stopped shooting, she was rescued, he was taken to a bar next door. Her name Spizzichino, she was one of the last survivors of the 1943 roundup, a survivor of Auschwitz, she still had the tattoo on his arm. It marked me, I felt guilty for indirectly revived the misfortune of this old woman, so I wanted to redo the scene. If you know Rome we immediately recognize the synagogue and Jewish quarter, otherwise we do not understand the meaning of la séquence que lorsqu'on découvre le tatouage sur le bras. Le public peut avoir des impressions sans comprendre comment elles naissent. "

extrait de Gente di Roma: 

    http://fr.youtube.com/watch?v=QEEs5Z_tTGw

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of deporting Jews


On January 27 has been declared the World Day Of the Commemoration Of the Victims Of Holocaust.
The Day of the Memory is a recurrence founded in 2000 by the Italian Parliament that has taken part to the international initiative to commemorate the victims of the nazionalsocialism and the holocaust, event also celebrated by a lot of other nations, Among Which Germany and Great Britain, as from the UN

"The Italian Republic recognizes the 27th day of January, date of the gates of Auschwitz," Day of Remembrance "to remember Holocaust (extermination of the Jewish people), the racial laws, the persecution of Italian Jewish citizens, the Italians who suffered deportation, imprisonment, death, and those who, even in different fields and camps, have opposed the draft extermination, and at the risk of their lives they have saved more lives and protected the persecuted. "

On January 27 1945 the Soviet troops of the Red Army Arrived near the Polish city of Auschwitz Freeing Few survivors. The discovery in Auschwitz and the Testimonies of the survivors Revealed for the first time to the world the horror of the Nazi genocide (Despi the Existence of the Lagers It Was Already well known).

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It Ebraico ghetto di Roma


The Jewish Ghetto in Rome, built 40 years later than that of Venice's oldest-ever-is one of the oldest slums in the world. The term probably derives from geth GHETTO (segregation) or the name of the district Venetian Ghetto, where Jews were forced to reside.

The inhabitants of the ghetto, along with a requirement to reside and prohibition from exercising any business except that of starcci, had to wear a badge that would make them more recognizable: a cap for men, another sign of recognition easy women, both the color green. Initially, there were two doors around the walls of the district were closed and reopened at dawn to sunset. The number of entrances, increasing the size and population of the ghetto, was subsequently extended to three, five and then to eight.

The French Revolution and Napoleonic conquests altered the lives of the Roman Jews: in the ghetto, in Piazza delle Cinque Scole, was erected a "tree of liberty," and the French commander Berthier proclaimed the equal rights of Jews and their full citizenship. But in 1814, with the final return the new Pope Pius VII, the Jews were once again locked up in the ghetto.
In 1870, the unification of the city to the Kingdom of Italy and the end of the temporal power of popes, the ghetto was finally abolished and the Jews the same rights as Italian citizens.
In 1888, the new plan were established that demolished much of the ancient streets and old buildings of the ghetto and that were created three new streets: Via del Portico d'Ottavia Via Catalana and the weather.

dawn on October 16, 1943, a platoon of German soldiers, after having surrounded the neighborhood, catturarò 1,022 Jews, including about 200 children. Transferred to the Tiburtina train station, were loaded onto a convoy who came to the concentration camp of Auschwitz on Oct. 22: only 16 deportees will be able to survive, including one woman and child.

dawn of the twenty-first century, the quarter-hour Sant'Angelo Company name-it remains one of the most picturesque areas in old Rome: the northern part, with its web of narrow streets, it maintains a residential character, while the south is always characterized by the presence Jewish. The streets around the Portico d'Ottavia so keep 'the atmosphere of a village.

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Notre travail à la fois be s'orienter en construction sur la mémoire, la mémoire collective et mythologique ou à la fois on a personal memory. Thus, we will reconstruct the history of a neighborhood as a puzzle ... Thus, we believe highlight the memories and blackouts. The issue will therefore be: what is the memory that is built in a place in motion?

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ROME? Nihil Urbe Roma

Before starting any type of work on Rome, it is important to learn about the Italian capital.
Indeed, it is for most people, the city of memory and finally seems to be no longer than a city frozen in time. However, although it lives in this city, a mythological and ancient Rome and a contemporary Rome. It should also
recall but the city hosts its heart a entièremment independent state with its own institutional power and decision, the Vatican. To all Christians around the world, Rome is the seat of Christianity and the Catholic Church and the shrine of choice. So
in Rome that the stories come together, meet and combine. The storylines are so exist but are not necessarily so clear. Indeed, knowledge and cultures have blended to make unborn structures or artistic movements that are found nowhere else. Rome and this is unique in several points of view but it is also plural. It is the same for memory. It is universal, because of the history of the Roman Empire in ancient times who was able to impose the whole of Europe and its political art, but it is also contemporary and fits in a modern world where the Vatican still has a major influence on world population.

How then reflect on the memory in a city that is memory while taking into account the fact that it goes with oblivion? Why not refer to a universal memory that everyone has forgotten his history? So ... tell a story and turn away the symbolic places of Rome, à la manière des scenario writers. Travaillons à la fois sur la mémoire et sur l'imaginaire pour en faire une histoire naître here if puisse partager et nous interpeller ...

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"You'll never see anything bigger than Rome"
Horace, Carmen saecula, 11-12

Today's Rome reflects the stratification of the epochs of its long history, but also a great and modern metropolis. The large old town contains many ruins of ancient Rome, but few areas have medieval ruins. There are many art treasures from the Renaissance, Baroque churches and palaces, many examples of Art Nouveau, neo-classical, modern, rational and other artistic styles of the nineteenth and twentieth century. the city can be considered a sort of walking encyclopedia of the last 3000 years of Western art.
The historic center is identified with the ancient imperial walls. Some areas were reorganized after the unification, during the Fascist period and through the creation of new districts.

During World War II, Rome has been the subject of heavy bombing and battle and was declared "open city": Unlike Berlin and Warsaw, the city of Rome was saved from total destruction.

After the war, Rome continued to expand thanks to the 'administration and industry, including through the establishment of new neighborhoods and suburbs: the urban plan was amended at the hands of designers Eng. Massimo Piacentini for the IACP and the arch. Gustavo Giovagnini with Garbatella.

Today Rome is one of the most important tourist destinations, due to its archaeological, artistic treasures and the uniqueness and beauty of its views and its villas.

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Report between places and stories


Cette composition d'images
met en relation les lieux et les gens
here en sont finalement the
moteur d'activation. Les histoires de
édifices sont en
carried étroitement
liées à celles de leurs utilisations des occupants
et qu'ils make.
For example, the current memory image duColisée
and has nothing to do with this
why it was done originally
.
memory of a place
evolves over time.

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Fellini's La Dolce Vita



"La Dolce Vita," Fellini's flamboyant achievement embodied in the Golden Palm at Cannes in 1960, also marks a turning point in the work of the great Italian filmmaker, who finally broke here with the realism of his debut to go to an art where life never escape to the gentle influence of imagination.

Marcello Mastroianni portrays perfectly the film's hero, a disillusioned journalist accompanying the All-Rome film world and high society in a race devoid of taste pleasure as sense. Certainly ironic, "La Dolce Vita" is dreamlike, poetic and touching. The humor is a tartness, baroque Fellini is expressed dramatically.

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Rélexion report on Paris and Rome

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First search on Paris

In our first year we were asked to bring two photos, one of which was to be our representative in Paris, and another that suggested a formal contemporary stage of memory in the French capital.
items below reflect the thoughts of each of us.

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Perrine: Crossroads and national memory



I think Paris is the meeting point of several paths, literally and figuratively. The stories of each meet in this city to build gradually as the fabric of the city and its focal points, a bit like the layout of the subway lines. Paris is characterized by flows, nodes, movement, in other words, a sort of mechanized men.

Memory is for me to present Paris because it is the capital of France. The memorial to the war Algeria evokes a milestone in the history of our country and terminated its conquered lands. However, this memory is not really materialized in the memorial, are the memories, thoughts of passersby who maintain the memory and education, trying to recall the major events for young people.

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Gabriela: 2-faceted city and Memory Collective



I think Paris is a city that hides another. In fact, I'm not French and when I think of the capital, I guess people who live there know of a Paris other than me. It's like the image of Paris which is often seen as the woman most sophisticated country when in reality, when it takes place in context, it loses all his humanity and more akin to an animal of its attitudes.

Collective memory if not universal in my opinion is very present in the symbol of the Eiffel Tower. Indeed, few people remember their history and they certainly can not imagine what it was like its neighbors during the Expo, however, the postcard is the most evocative of the city and France . Here memory is contemporary. You do not remember the Eiffel Tower in the 1900s but the current image of remembrance that we are building and exporting worldwide.

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Cris: cosmopolitanism and memory construction



Paris is synonymous with cosmopolitanism. It is the result of ethnic and social transformation that gives us the meeting of continents.

As for memory, it belongs to he who gets there, past and future, that everyone participates daily in the formation of a memory.

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Gaia: serendipity and collective memory



Paris is for me my daily life. Every morning I look at the extent of this city still unknown to me from the 28 th floor of my building and I think of all the surprises it contains. For it is true that the French capital has a knack of surprising you at every corner. So I think the serendipity when I walk in Paris.

As for memory, it reminds me of the Eiffel Tower and its history. Indeed, it refers to a collective memory, since this building was built for the Universal Exhibition of 1900. To date, it evokes the era of the Industrial Revolution that marked highly modern society by participating in the construction of the contemporary world and remains a symbol of architectural progress of the twentieth century.